Underwater LFF 3D
Smaller digital stereo systems lowered the barrier to giant-screen underwater work.
Systems & Fieldcraft
The camera was never just a camera.
Pressure housings, beam splitters, RED cameras, 3D geometry, submersible integration, trim, ballast, and the discipline of operating complex systems while diving.
Beam-splitter 3D
A mirror in the deep blue sea.
The beam splitter allowed two digital cinema cameras to behave as one stereoscopic camera underwater. In theory, elegant. In practice, unforgiving: mirror cleanliness, alignment, exposure, timing, color, focus, pressure, and diver handling all had to survive the real ocean.
Expedition integration
Camera systems, dive teams, research vessels, submersibles, and schedule pressure.
Submersible operations
Large cameras working alongside machines built to descend deeper than divers.
Aerial 3D
The same stereo discipline applied to aircraft and high-mobility environments.
Alignment and repeatability
Stereo images must hold up to motion, scrutiny, and scale.
Controlled chaos
Field instincts translated into studio and second-unit work where systems must perform.